Towle House

Blog Round-Up: May 11-17, 2012

I manage so many blogs now that I think it will be easier if I link to all of my various goings-on in the blogosphere with a weekly round-up of my various posts. I hope you enjoy some of the links to my other work.

On MFA Pop, I had a lot of fun putting together a list of my top-ten favorite summer driving songs. It’s a weird little list, with Creedence Clearwater Revival sitting right next to Miike Snow.

On Not Your Mama’s Bookshelf, I have the latest Poetry Round-Up, as well as a short review of one of the best romances I’ve read in a while, Courtney Milan’s The Governess Affair.

Warning: I loved the Courtney Milan book so much that I am making it my goal to read a couple more of her books in the next month. So I apologize for the coming onslaught.

Blog Round-Up: May 4-10, 2012

So I manage so many blogs now that I think it will be easier if I link to all of my various goings-on in the blogosphere with a weekly round-up of my various posts. I hope you enjoy some of the links to my other work.

On my blog about books, Not Your Mama’s Bookshelf, I wrote a short review for Driven, James Sallis’s sequel to Drive. Also, I shared some thoughts about some poetry, including Anthony McCann’s Father of Noise, Ariana Reines’s Mercury, and Maggie Nelson’s Bluets.

Meanwhile, on MFA Pop, a tumblr I run along with one of my fellow MFAs, I did a Tuesday Top Ten list of some actors I think should play manic pixie dream men.

And of course, I did a round-up of some movies I’ve recently watched, which you can find below.

Hey, Here Are Some Movies I Have Recently Watched

Hey, here are some movies I’ve seen lately. I have some thoughts about them:

Shame:  I read enough reviews and articles about this movie to know that watching it was going to be a brutal experience.  And that’s exactly what it was.  In my last batch of movie mini-reviews, I mentioned loving Hunger. Shamehas the same director (Steve McQueen) and the same star (Michael Fassbender, sigh), and it’s a visual stunner.  McQueen uses lots of long takes that become physical manifestations of the audience’s discomfort, and there is an incredible tracking shot in the middle of the film in which the camera follows Fassbender as he runs through the streets of New York.  It’s beautiful filmmaking, although I think the story itself is a bit flat.  I never quite felt like I “got” Fassbender’s main character, damaged sex-addict Brandon, and the ending is unnecessarily ambiguous, I think.  That being said, I still think it’s a really good movie.  I will argue until my dying day that McQueen directs THE best silent sequences in all of filmdom, and I am willing to fight anyone who says otherwise. 

Haywire:  This is such a weird little movie, in that it stars lots of famous people, is directed by the much-loved Steven Soderbergh, and came out at a tired time of year (dead winter).  But it largely went unremarked upon when it came out, it seems.  I was happy to pick it up when it came out on DVD last week, though.  Haywire is a fun little action movie about a double-crossed “agent.”  It stars Gina Carano (a famous MMA fighter) as the duped party, and the movie flashes back and forth in time as her story is spun out and she seeks revenge against the men who have wronged her.  The gender politics of this movie are absolutely fascinating to me; I wish I had seen in time to talk about it in my Martial Masculinites in Film class this last semester.  There’s all these men, all of them manipulating and trying to manage this ass-kicking woman.  But she wins in the end, which made this particular feminist quite happy.  This movie is a lot of fun, and it’s actually quite different from anything I’ve seen in a long time.  I highly recommend it.

Note:  One thing that struck me about Haywire was its depiction of the violence toward the main female character.  Even when women are playing amazing badasses in movie, you rarely see this many men beating the shit out of them.  This movie has no qualms about the fact that Gina Carano and the men she’s fighting are on equal levels.  They inflict very real-looking pain on each other.  The fights are often clumsy and improvised.  This more “realistic” action had me on the edge of my seat the whole time.  I wish more movies understood that action sequences doesn’t have to be flashy, just well-executed. 

We Bought a Zoo:  I knew what I was getting myself into when I checked out this movie from the library this weekend.  And I got what I paid for.  I have a love-hate relationship with Cameron Crowe.  Love in that he directed Almost Famous, which might be my all-time favorite movie about music and musicians.  Hate in that he also directed Elizabethtown, one of the only movies in the world that I don’t just dislike but despise with every bone in my body.  We Bought a Zoo gets a little too close to Elizabethtown territory for me, particularly in the weak development of the main romantic relationship, the horrifyingly precocious little girl, and the insanely cheesy ending.  It has its moments, though.  Colin Ford (who actually plays a young Sam Winchester in Supernatural’s flashback episodes) and Elle Fanning (who I think is incredibly talented) have a very sweet little middle-school romance that helps point out just how underdeveloped the adult romance is.  The stuff about the dying tiger really hits a perfect emotional note for anyone who has ever had to watch a pet die, too.  And of course, the music is pretty great.  (Note: There is exactly one scene I like in all ofElizabethtown, the scene where Orlando Bloom is driving home and Fleetwood Mac’s “Big Love” is playing.  As I am willing to risk my life to claim that “Big Love” is the most underappreciated song in all of Fleetwood Mac’s career, this makes me so happy.  Cameron Crowe might be somewhat of a sentimental hack, but the man knows his music!)  I won’t be going around recommending this movie anytime soon, but I will recommend a half-hour feature that’s in the DVD special features, a look at the animals in the film and their trainers.  As an animal lover, this was fascinating to me.  I kind of wish this movie had just been a documentary about the relationship between animals and people.*

*There is a line at the end of the film that kind of ruined the whole thing for me.  Elle Fanning’s character asks Scarlett Johansson’s character if she prefers people or animals.  People, they agree.  Bullshit, I say.  If you can watch this movie and prefer the weepy, smarty-pants people over the chill, doing-what-they-do animals, then you are insane.  How did test audiences not point out how false this scene is?!

Hey, Here Are Some Movies I Have Recently Watched

Hey, here are some movies I’ve seen lately. I have some thoughts about them:

J. Edgar: This movie is terrible.  I honestly cannot remember the last time I was so bored by a film I was watching.  I get what this movie’s trying to do, to show J. Edgar Hoover as a more complex figure than legend might make him out to be.  But I’m not sure it ever really accomplishes this basic goal.  By the end, I still had very little sense of who this man was or what his motives were.  I think this is more the fault of the writers and director Clint Eastwood than it was the actors’ faults.  The scenes are shot in too much darkness, the dialogue has absolutely no spark of life to it whatsoever, and what should be an emotionally engaging centerpiece - the investigation of the Lindbergh baby kidnapping - was completely undeveloped.  I really did not enjoy this one.  Not even Armie Hammer’s pretty patrician face could save it. 

Hunger: I’m currently writing a paper for my cinema class on how male bodies become artifacts of ideology in film, and this movie is one of the main sources of my argument.  So it just goes to show how far behind I am on this paper that I just watched this film for the first time.  I’m glad I’m writing about it, though.  It’s a wonderful film, if admittedly a little too hard to watch at times because of the brutal subject matter. Hungertells the story of Bobby Sands, an Irish political prisoner who led a hunger strike during the 80s.  This is a movie about exhaustion, about how principles may make us do the things we do, but also about how the wearing down of people and policies can accomplish things, too.  It’s dirty and beautiful at the same time, and my beloved Michael Fassbender gives a fantastic performance as Sands.  The movie is almost unbearably quiet at times, but also moving, too.  I highly recommend it to anyone who can stomach the horrors at its heart.

Zodiac: Despite claiming myself a David Fincher fan when talking about The Girl with the Dragon Tattoo a few weeks ago, I had never seen Zodiac, which many critics consider his masterpiece.  So I finally set out to watch the movie this weekend.  Oh man, oh man, am I glad I did.  I loved this movie.  Clocking in at over two and a half hours long, it tells the story of the investigation of the infamous Zodiac murderer in California (beginning in the late 60s and ultimately ending in the early 90s).  The film centers on the way people become obsessed with solving puzzles, as the lead detective and a writer/cartoonist uproot their entire lives to find out the true identity of the Zodiac killer.  Everything about this movie is wonderful: the cinematography, the acting, the strange pacing.  Despite the long running time and the strict chronological structure, I was completely mesmerized for the entire viewing experience.  As soon as I finished it, I went back and watched certain scenes a couple more times.  I haven’t been that immediately hooked by a movie since…well, probably The Social Network.  I am officially a total Fincher fangirl.

SPOILERS AHEAD:  Okay, there are two scenes in this movie I’m particularly in love with.  One is the scene where Jake Gyllenhaal’s character goes to the home of a movie theater organist to learn more about a Zodiac suspect.  The tension in this scene is incredibly unbearable.  I was sweating and cowering all through it, despite knowing that no one’s life was logically in danger at that point.  That’s a master class of how to build a scene.  And then I got gutted by the end.  The film ends with an investigator tracking down one of the survivors of a Zodiac murder, a man who fled and disappeared not long after his attack.  Asked to identify the killer from a series of photographs, this poor man (played really well by Jimmi Simpson, aka one of the McPoyle brothers from It’s Always Sunny in Philadelphia).  The last shot in this movie is on Simpson’s face as he brokenly points out the man who nearly killed him.  This whole movie centers on the obsession of people with no direct emotional involvement in the case, so to close with the emotional impact of just what it means to be a victim of a major crime is really beautiful and sad and pitch-perfect.  Really great stuff.  I am ready to add Zodiac to my list of favorites, I think.

5 Thoughts: Justified 3.13 “Slaughterhouse”

Here it is, folks.  My final thoughts about this third season ofJustified.  It was fun while it lasted!

1.  Aaah! That was great!  I was ready to use this week’s post as a way of airing all my grievances about how this season ofJustifiedwas kind of a hot mess.  But you know what, this episode might just be my favorite hour of the show so far in its entire three-season run.  Not only does it do a good job putting a captstone on this season’s shenanigans, but it also sets up further shenanigans for next season.  The Quarles storyline was tied up, Limehouse cut ties with Errol but might still get to play a role next year (oh, I hope so!), and the we get further into the fucked-up family dynamics of the Crowder clan (Johnny, Ava, Boyd, and the honorary Arlo).  And some of our favorite side people get a role too: the new sheriff, Art, Wynn Duffy, even the odious Winona!  I was very satisfied.

2.  Without a doubt, this is the most emotionally affective episode of Justified that I can remember.  The show is known for being plot-driven, witty, and entertaining.  The emotional underpinnings of the story have always felt a bit distant.  But the way this episode ends, with that realization that the relationship between Raylan and Arlo is as ugly as it could ever get, absolutely broke my heart.  I’ve long argued that this show isn’t about criminals or shootings or the way justice manifests itself.  At its heart is a more timeless story about a man making an unwanted homecoming.  This episode just punches you in the face with the ways Raylan will always be a little bit broken, and how that brokenness is exacerbated by being back in Harlan. 

3.  Connecting to the point above, all the critics I’m reading today like to use that final scene of the episode where we realize Arlo might have meant to shoot Raylan instead of the trooper as an example of the emotional payoff of this show.  But I like to think it’s actually that scene where Boyd gets off scot-free and runs into the arms of Ava.  It drives home the reversal of fortune: Boyd gets the girl, he gets a new father out of Arlo, he gets a family.  Raylan gets an ex-wife who doesn’t want him back and a baby to whom he probably won’t be a very good father.  Really, the last ten mintues of this episode were just handled beautifully by everyone.

4.  But of course, it wasn’t all about emotions and father-son storytime.  The action sequences were great, too.  That slaughterhouse scene between Quarles, Limehouse, Raylan, and Errol might just be my favorite setpiece this show has ever done.  And the pay-off to the gun sleeve, with (SPOILER ALERT) Quarles’s arm being hacked off, was fantastic!  Just what any loyalJustifiedfan would come to expect of this clever, clever show. 

5.  It’s easy to ignore the acting on this show, as the real sparkle tends to be the writers’ dialogue.  But I thought the performers were doing really great things in the finale.  Jere Burns as the terrified Wynn Duffy, Joelle Carter getting super-violent with that poor hooker, and Walton Goggins doing great things with Boyd’s increasing arrogance.  But I think Timothy Olyphant was wiping the floor with people last night.  I was really impressed by how furious his face was in the first half, and then the sort of embarrassment and weight of that same face by the end.  Olyphant just doesn’t get enough attention for how good he is on this show.

Tim Gutterson Sighting Report:  He’s on screen, without dialogue, for a few seconds at a time.  And he somehow managed to go a whole season without shooting anyone!  What?!  I am dismayed,Justifiedwriters.  Dismayed!

Watch Out! That Ice Cream Sundae is a Loaded Bomb!

Like many other Mad Men fans, I hate Betty Draper.  I’ve tried to love her the way I love Peggy and Joan and Pete (oh, I love Pete Campbell), but I can’t help it.  I hate her.  It’s not the character as she’s written.  It’s that if I knew Betty Draper in real life, say if she were my neighbor, I’d create elaborate fantasies about murdering her.  So imagine my surprise when last night’s episode of Mad Men took Betty to a place that hit way too close to home for me.  A place that is making me take a look at this show that I didn’t want to take.  The look being dismay.

I was kind of into the Betty Draper (excuse me, it’s Francis now) storyline last night, in which Betty (who’s been getting fat; this is the show’s way of dealing with January Jones’s real-life pregnancy) has a cancer scare and is forced to think about what the world would be like without her.  Specifically, the way in which people would remember her.  She knows she’s inflicted some kind of damage on Sally that does not bode well for the future, and this is the first time that I can remember really seeing Betty think about the mother/daughter relationship in this way, with any kind of future repercussions.  So I was willing to follow this storyline right up until the end.

Until that final scene of Betty eating the second bowl of ice cream at the kitchen table.  I love this show and I care about the world it’s created.  It makes me laugh and cry.  It rarely ever invests me emotionally in such a way though that I might become mad at it.  But you know what?  I’m kind of mad now.  At the writers or Matt Weiner or whatever.  Or maybe at the kind of sociological discussion that might have inspired this scene.  Because on a show that is known for being “deep,” this seems like a pretty shallow shorthand for what’s going on with Betty psychologically.  But I think the show mostly made me mad at myself.

The complicated relationship of women and food is too long and well-established for me to talk about here, but let’s just say that the way female food consumpition is depicted in media has always been a bit troublesome.  It’s troublesome because it reflects actual trouble.  For any woman for whom self-esteem is an issue, food is a problem.  I’m not talking about major psychological issues like anorexia or bulimia.  Rather, it’s the day to day significance of what it means to have a body and to have to feed that body.  Let me get all personal here.  I haven’t been thin since I was a small child.  And although I was average-sized in high school, I became obsessed with my weight.  I was never disciplined enough to become anorexic, and I was too squeamish to become bulimic.  But I was bothered enough by my body that I turned all my attention to food.  Not the food itself, but the being seen eating it.  For a couple years in high school, I skipped lunch so people wouldn’t be able to see me eating.  When I went to restaurants, I wouldn’t order anything that might make a person think I wasn’t eating well.  This led to secretive eating.  Not binge eating.  Just that I would wait to go home and eat by myself, where no one could judge the actual food I’d chosen to eat.  In college, this problem became even more complicated.  I became a stress eater.  I gained a significant amount of weight.

So clearly, I’ve got issues.  I still prefer to eat food that’s bad for me (sugary foods in particular) in private, curled up by myself in front of the TV, although I’ve become a more comfortable with my body.  I’m losing weight; I’ve come to terms with what my body is and isn’t.  But I still measure personal success by how much control I have over my body, and I’m fairly certain that many (or most) women do the same.

Back to Betty Draper, then.  She’s clearly unhappy with herself, but she also seems incapable of making herself happy until she’s given the cancer scare.  Suddenly, given a real problem, she seems as happy as ever.  When she’s told it’s benign, she’s forced to realize that she’s getting fat because she’s getting fat.  It’s all on her.  This leads us up to that scene at the kitchen table, in which Sally stops eating her ice cream sundae and Betty scoops it up, a smile on her face.  What are we to make of this scene given the previous hour?  I honestly sat there stunned and staring at my TV for a couple minutes, then groaned, then went to bed in a bad mood.

Let’s think about the two main ways this moment can be taken (and I think both these interpretations have everything to do with issues of control):

1.  Betty is suddenly comfortable with who she is.  After her dance with death, she realizes it’s not worth caring about any kind of superficiality.  Therefore, she can eat the ice cream without guilt. 

2.  Betty does it because it’s a comfort, because she’s worried about who she’s become (physically and principally) and this is the one thing she can do that she feels she has control over.  So the smile is one of some kind of blind subjugation.

I find both these things to be really problematic because of the symoblism of the sundae itself.  It’s supreme decadence.  It’s fatty and sugary and loaded with bad calories.  Food as symbol, etc.  I am willing to be persuaded that this is actually a theme of the entire episode (after all, we see Harry Crane chowing down on a load of burgers after work-related disappointment), but I still couldn’t help but watch this issue with all my own food-related issues coming into the mix.

Is there a way to watch television (or see a movie or read a book) without accidentally forcing mirrors onto the screen or page?  I thoughtMad Menwas the one show that I could watch with some remove and yet still find rewarding and enjoyable.  I have never placed my own personal issues on this show before.  This is the first time.  And it’s all due to the loaded bomb that is that ice cream sundae.

P.S.  I should maybe also note that the cancer scare storyline hit a little too close to home, too.  When I am having problems with depression, I begin thinking of dramatic events that might alter my mood.  The first one I always go to is cancer.  Thinking you might have cancer when you’re struggling with personal issues manages to scare you back into yourself, but there’s also that tiny voice that says, “Yes, but wouldn’t cancer be a great excuse for everything else in your life….”  So yeah, overall, a rough episode for me. 

5 Thoughts: Justified 3.11 “Measures”

Justified was on this last night.  Here’s some thoughts I had about it.

1.  If I’ve said it once, I’ve said it a million times: There are just too many villains with their hands in the pot this season!  Quarles, Limehouse, Boyd Crowder, Wynn Duffy, these men’s various lackeys.  And now with Dickie Bennett out of jail, we’ve got him stirring up trouble, too.  Also, Alan Arkin is introduced as Tonin, the head honcho of the Detroit-based mafia Quarles works for.  Assuming at least one of these people is killed off at the end of this season (and I think this is where Quarles is clearly headed), then I hope the showrunners are planning on spinning out the rest of these villain’s interconnected storylines into next season.  

2.  It was great getting to see some real interaction between Art and Raylan in this episode.  I love these two characters together, and the actors play off each other in hilarious, winning ways.  Art wants Raylan to be okay, not just as a marshal but as a man. Unfortunately, there’s only so much you can do for the messy bastard.

3.  Actually, all of the Lexington marshals come out to play in this episode.  Rachel and Tim are in charge of trying to get Mags Bennett’s cooler of money away from Dickie’s clutches.  They don’t get much to do, but I still enjoyed getting to see this pair bust out on their own for once.  I hope the show realizes that this doesn’t drag episodes down.  The fans genuinely want more Rachel and Tim.  It’s okay to have them doing things together sometimes.

4.  I like this trashy bartender that Raylan’s fooling around with these days.  Can we trade Winona for her, please?

5.  There are two more episodes left, and I honestly have no idea what’s going to happen.  This is what I want from my TV: to keep me on the edge of my seat.  Here’s hoping for two exciting episodes to cap this interesting but slightly-off season!

Tim Gutterson Sighting Report:  He’s here, but still not shooting anyone.  I love all these random scenes of him eating and making smartass comments, but I will be sorely disappointed if we don’t get any sniper action before the season’s over.  

Hey, Here Are Some Movies I’ve Recently Watched

Hey, here are some movies I’ve seen lately.  I have some thoughts about them:

Martha Marcy May Marlene: I’ve wanted to see this movie since it got such rave reviews at Sundance in 2011.  I finally watched it over my spring break, and I’m really glad I did.  Martha deserves all its good reviews.  The story of a young woman who returns to her sister after having spent time with a cult in rural New York, Martha is deeply unsettling.  I can’t believe this was Elizabeth Olsen’s first major film.  She’s ridiculously good in this, and I feel a little upset that she didn’t get an Oscar nomination for her work.  John Hawkes is really good here, too, as the cult’s charismatic and terrifying leader.  No surprise there; Hawkes is one of the best character actors out there.  The ending is famously frustrating, but I actually thought it ended on a perfect note.  I recommend this one.

Young Adult: I am one of those people who hates Juno.  There are those who love it and those who hate it, and I am firmly in the latter camp.  I think the actors are great, and there’s a few really wonderful moments in that film (that scene in the hospital between Ellen Page and J.K. Simmons being a particular highlight), but Diablo Cody’s dialogue makes me want to punch kittens.  Luckily, every single review of Young Adult I encountered mentioned that Cody had dialed down the cute factor for her latest film.  Also, it has Patton Oswalt, who is funny, and Charlize Theron, who I really like.  I enjoyed Young Adult a lot, particularly the scenes between Theron and Oswalt (who is really, really good here; that guy doesn’t get enough credit for actually being a talented actor).  I’m not sure this is a film I will go back to very often, as many scenes are incredibly uncomfortable (Theron is playing a highly unlikable character), but I also think it’s worth checking out.  Also, it totally gets the weird vibe that small towns now have, with local dive bars and fast food chains coexisting in the same place at the same time.

Real Steel : Yeah, that’s right.  I am as open to movies about fighting robots as I am to movies about cult victims.  My audio bible, NPR’s Pop Culture Happy Hour podcast, actually did an entire segment about how not-bad this movie is.  And they were totally correct.  Is it silly and cheesy and playing to the unwashed masses?  Definitely. Is it entertaining as hell and really well-paced?  Yes!  Are the robot fights incredibly awesome?  Yep yep.  If you are looking for a fun time, I actually think you can’t go wrong with this one.  It’s surprisingly engaging.  Also, it has a father-son redemption arc.  You guys, Hollywood knows my sweet spot. 

John Carter: My friend Meg and I saw this in the middle of a Wednesday afternoon during spring break.  We had the theater completely to ourselves, which increased our enjoyment of this cheesy little spectacle by about 75%.  John Carter is already being held up as one of the biggest flops in some time, which I think is a shame.  Like Real Steel, it’s silly but entertaining as hell.  I can’t say I regretted sitting there watching it once during the entire screening.  Oh, who am I kidding. This movie has Taylor Kitsch (aka Tim Riggens, the sexiest boy in Dillon, Texas) in it.  And he’s shirtless for like two hours straight.  Male gaze, I dare to subvert you.

The Girl with the Dragon Tattoo: I am a big David Fincher fan (I’ve previously mentioned my obsession with The Social Network on this blog).  I’m fascinated by the look of his films, particularly the strange coloring.  His movies always look like bruises – dark but with that sickly green creeping in.  The walls always look a little dirty; everyone’s skin a bit yellow in the shadows.  When I watch Fincher films, I always smell chlorine for some reason.  I mean that as a compliment.  It makes me feel on edge and yet dulled at the same time.  Fincher doesn’t make warm films, but they always feel hot, like something rotting in a warm room.  Even in the frigid Swedish landscape, Fincher manages to make me freeze and sweat at the same time.

Okay, enough about Fincher.  What about this particular film?  I have absolutely no interest in reading Stieg Larsson’s books, and in this case, I’m glad I didn’t know much about this particular story before going into this movie.  I always wanted to know what was going to happen next, so I managed to be riveted to the screen for most of the movie.  That being said, I really felt like it was a half-hour too long.  And this has nothing to do with the movie, but I hate that those two characters hook up by the end.  That is not an organic relationship in any way whatsoever.  Watching this basically confirmed that I won’t be picking up the Larsson books anytime soon.   I actually liked the movie itself a great deal, mostly because of the excellent casting (Rooney Mara is really good), Fincher’s unflinching direction, and the creepy  Atticus Ross/Trent Reznor soundtrack.   If you can handle the rough material, then I think it deserves your attention. 

P.S.   I have to admit I had trouble handling some of the scenes in this movie.  For some reason, rape scenes always over-affect me, so I had to actually leave the room and take a breather after that scene.  Same with the fate of that poor cat.  I actually find animal cruelty to be even harder to deal with than depictions of rape. 

P.P.S.  Those opening credits are so weird!  And yet so intriguing.  I’ve long loved that Led Zeppelin song, and I love the way Karen O. interprets it here.  This version is going on my Spotify account!

5 Thoughts: Justified 3.10 “Guy Walks into a Bar”

As almost-always, some thoughts on Tuesday’s latest episode ofJustified.

1.  Despite Neal McDonough being fantastic in this episode and despite learning a lot of interesting backstory, I still dislike Quarles as a major villain on this show.  I just think his brand of crazy is too cartoonish.  As I mentioned last week, Limehouse is far more frightening to me because of what he knows.  Quarles is just frightening because he’s nuts.  That’s too easy.  After the careful world-building of the Bennett gang last season, throwing in a weirdo outsider just feels like a cop out.  Sorry Justified writers.  It’s only because I have so much faith in you that I want to point out flaws.

2.  That being said, I really did enjoy that scene at the bar between Raylan and Quarles. Duffy’s edginess at being linked to such a nutcase; the bartender and her shotgun; the tense dialogue: it all made for a solid set piece.  I honestly was worried for people’s lives in those moments.  That’s something that I haven’t gotten enough of this season.  Not in any gut-level way.

3.  Jim Beaver is a genuinely under-appreciated character actor.  His work here as Shelby reveals a kind of nervousness and underlying morality in the midst of a corrupt sheriff campaign.  Beaver played my favorite character on Supernatural - Bobby Singer, the Winchesters’ surrogate father.  Despite both being redneck types, Bobby Singer and Shelby are two completely different individuals.  Even though he has such a familiar face, it’s almost hard to see the same Jim Beaver here as the one we see in Supernatural.  Even the body language is different.  Major kudos, man.

4.  Could you imagine finding Boyd in your trailer, just sitting at the kitchen table, talking in that even-keeled, cool voice?  Yikes!  And that speech he gives to Quarles after the election?  Heavy stuff.  I can’t even fathom what this show would be like had it followed the original plan and killed Boyd off at the end of the pilot.

5.  Dickie Bennett’s out of jail!  Is he my least favorite Bennett?  Yes.  Am I still happy to see even my least favorite Bennett showing back up in Harlan County?  Oh heck yes. 

Tim Gutterson Sighting Report:  MIA, again.  By my estimations, Jacob Pitts has only been in three episodes so far this season.  Sigh.  How long do we think it’ll be before he bites the dust?  I am seriously worried.  No deaths or serious injuries have befallen anyone in the Lexington Marshall’s office yet.  How long can they sustain that?  If this show kills off Deputy Gutterson, I will be devastated. 

5 Thoughts: Justified 3.9 “Loose Ends”

A day late and a dollar short (especially since I completely missed last week’s episode recap), but here’s some thoughts on Tuesday’s latest episode ofJustified.

1.  More Ava, please!  I hadn’t noticed just how little she’ been given to do this season until she got to kick ass last night.  As other reviewers of this show have pointed out, Ava is hanging with the bad guys now but that doesn’t mean she can toughen herself the way they can.  Ava is tough as nails, don’t get me wrong, but her sense of personal justice and compassion comes sneaking in when her boyfriend Boyd would probably rather it not.  I loved seeing Ava blow away the pimp on Tuesday night.  I hope she gets to play an even bigger role in the rest of this season and on seasons to come.  I haven’t liked her this much since she busted in on Bo Crowder and his henchman in season one.

2.  I really loved those two small scenes with the mother of the doomed bad guy, Tanner.  Raylan has to do his job, and sometimes that job makes him confront the tragedy of growning up in Harlan in ways he’d rather forget (all of which is completely non-commented on by the episode itself; this show puts a lot of trust in its audience in a way I appreciate).  Also, it was a nice parallel to the look on Raylan’s face when Limehouse brings up the late Mama Givens (see #5).  Anyways, it was kind of heartbreaking the way Tanner’s mom turned on that TV at the end of the episode, wasn’t it?

3.  It’s nice to see more of the women of Harlan in this episode.  Last season, we had Mags Bennett and Loretta showing the way the Kentucky holler land of drugs and mining can wear good women down.  But this season has mostly been a man’s world, which can get a little old.  Seeing Ava kick ass, Tanner’s tough mom break hearts, and poor Ellen May continue to fuck up hits home the way this show is as much about the people who get out vs. those who get left behind as it is about shooting guns. 

4.  I love the way this show mixes humor with its drama.  That whole scene at the Sheriff’s office with the guy that Raylan paid to pretend to be a bomb expert was very, very winning. 

5.  Rumor has it that Quarles is gonna be a goner by the end of this season, and to be honest, I’m okay with that.  What I hope is that Limehouse sticks around for next season.  I think Limehouse is ten times creepier than Quarles (who, admittedly, is pretty damn creepy).  This is all due to the fact that Limehouse is a Harlan County native and he knows where to hurt everyone the most.  When Raylan and Limehouse are talking in the middle of the episode, and Limehouse suddenly brings up Raylan’s dead mom, things get ugly fast.  The look on Raylan’s face says it all.  Limehouse is a guy who knows too much, and this makes him simultaneously more dangerous and more vulnerable. 

Tim Gutterson Sighting Report:  Not this week.  But after his total awesomeness last week, I am willing to forgive an absense or two.